#Movie ninja io a star is born movie

#Movie ninja io a star is born movie

The movie also speeds past the 1976 version by having music thatвЂ™s outstanding. While fame is seen as an external force, Cooper tells his story from the inside out, focusing on the inner lives of his characters and seeing how that drives them both as individuals and as a couple. Like the 1976 version, Maine meets the female lead while at a bar looking for a drink, but Cooper is always honing in on the specificity of every moment and every interactions. Both leads, Ally (Gaga) and Jackson Maine (Cooper), are treated as equal partners in the story rather than one getting out in front of the other, and their love story has texture and nuance because itвЂ™s rooted in their love of music, and specifically crafting that music. I suffer from songs constantly getting stuck in my head, and I canвЂ™t remember a single melody from this movie, which is a problem when your movie is about someone who is an amazing musician.Д«radley CooperвЂ™s movie feels like it learns from the mistakes of its predecessors. Streisand is a hell of a singer, but the music here is instantly forgettable. Unfortunately, her dreams donвЂ™t really seem worth pursuing since her music is awful. I like that Streisand is going for a вЂњtake-no-nonsenseвЂќ approach, but thereвЂ™s no texture to her character, so Esther just always seems annoyed with everyone as if theyвЂ™re getting in the way of her dreams. Here, John is a stepping stone for EstherвЂ™s story.ДЄnd perhaps that story would at least be somewhat tolerable if Esther was in any way endearing, but thereвЂ™s not much to like about her personality or her music. While thereвЂ™s not much romance in the 1937 original, it at least goes through the motions where you believe that the two characters at least care about each other. And because itвЂ™s all about Esther, it fails entirely as a romance because thereвЂ™s zero chemistry between Esther, and KristoffersonвЂ™s character, fading musician John Norman Howard. There may as well not be a male lead in this story, and although Kristofferson gives a serviceable performance, this is really the story of Esther Hoffman, who meets while looking for a drink at a bar. Although it makes the crucial change of moving the action from actors in Hollywood to the music scene, the story overall just serves StreisandвЂ™s ego. This is the worst version of A Star Is Born. Her career now stands as a tribute of sorts to the man she loved. He commits suicide, and she mourns his death. She vows to stay with him and help him through his addiction, but just as it looks like he might recover, he stumbles again and realizes heвЂ™ll never be more than a washed-up drag on her career. At the award ceremony, he drunkenly humiliates her as she wins an award, thus merging her triumph and tragedy. His addiction gets worse while she becomes a total star and wins an award. They eventually get married even though he continues to decline. The two strike up a relationship where his connections in the industry help provide her with a path to stardom. The male lead then always discovers the female lead, who has the talent, but hasnвЂ™t broken through to stardom. The story always begins with the male lead as a star on the decline due to alcoholism. Although the story spans different eras and even different industries, the overall plot remains remarkably similar throughout all four versions.